Think of those final chapters in Cormac McCarthy’s post-apocalyptic novel The Road (or the far inferior film adaptation if you must) where the characters find themselves upon the shore absorbed in grey. Think of trees so weak that even the touch of a beam of pure sunlight of light could disintegrate them into ash. Think of ocean waves so proud and majestic they refuse to give into the silence of an annihilated world around them as they rumble and crash into the end of their journey. Think of the sorrow of what humanity has done to this august planet. Think of the mighty rebirth of what will be when She shakes this disease (and claims Her plastic 😉 ).
Using an effective and emotive combination post-hardcore/metal, doom, sludge, and black metal Hope Drone create a cyclonic atmosphere of a world gone to ash. Cloak of Ash is a miasma of despair, yet amid this there is a certain quality of beauty to be found upon its grey shores. It’s an interesting beast to say the least. Check it out! Enjoy!! Peace Love and Metal!!!
While I do greatly enjoy albums with long instrumental passages and even entire instrumental epic songs, I much prefer to have some semblance of human (inhuman?) voice integrated into my listening sessions. For me, they help keep my attention with their dynamics and also help songs, album flow, and my mind, from wandering away. Post-metal is a genre that, when not put into talented hands, often falls into a trap of letting songs meander along for too long and finds itself losing the impact of the core of the songs. It also boasts quite a few instrumental bands; more than any other genre I can think of not named neo-classical guitarstabation. For the most part, I can think of a single instrumental post-metal band that has been able to craft records that are tightly written, give that Tantric, hypnotic feeling, can crush it when necessary, and are engaging. Now, I can add another band to that list; Tacoma Narrows Bridge Disaster. (the other band I was referring to is none other than Pelican)
Following the rule of crafting intriguing album covers to convey well what is on the album, Wires/Dream\Wires‘ cover caught my eye on Bandcamp and I gave it a click. I was treated to an hour of absolutely engaging post-metal I simply couldn’t stop listening to until the record finished. Rich atmospheres, mesmerizing structures, grand soundscapes, and a touch of Tool bombarded my ears and left me captivated. I got reeled in by some outstanding tone on the instruments that is at the same time lush and breezy yet thick and crushing. And the seamless interplay woven throughout each instruments respective roles had me enthralled nonstop.
Even though there are touch of vocals on the final song of the album this is a wonderfully crafted instrumental affair you should check out even if instrumental post-metal isn’t your thing. This is gripping record that hard to pull away from once you let it sink its teeth into you and a huge highlight in the realm of post-metal for this year. If you fancy bands such as Pelican, Isis, or God is an Astronaut you owe it to yourself.
As always, give the band some money and share with your friends if you dig on the record. Let us know what you thought. Enjoy!! Peace Love and Metal!!!!
Right off the bat, the most striking thing about Vattnet Viskar’s sophomore album would be its bright and happy cover art. If you didn’t know any better you could imagine that an album of cheery electronic music lies within it. However, Vattnet Viskar is a post-metal band and that photo isn’t as cheery as you may think it is. If you are from my generation (the 80s) or earlier you surely remember the Challenger mission. Things didn’t go very well and spaceships exploded and lives were lost. The photo in the cover art is inspired by a photo of Christa McAuliffe while she was on a ‘Vomit Comet’ training simulation about a year prior to being tragically lost in the Challenger launch disaster. It’s a quite a surreal and contrasting pic. So happy and at a peak in life only to have it all soon violently ripped away from her. But, still kind of life-affirming in a way. Now, does that cover art look a bit more metal to you?
Release Date: January 30, 2015, Version Studio Records
Tracks: 9 tracks, 52 minutes
Previous releases: The King of Everything 2007, Zenith 2010
Recommended for fans of: Katatonia, My Dying Bride, Aoria, Anathema, Agalloch
It always soothes my soul when I come across a chunk of proggy, shoegaze-y post-metal that has a truly original sound to it. For as much as I like the genre, I have to admit lots of themes do tend to get rehashed and repeated. Build up, crescendo, trippy section, atmosphere, atmosphere, rinse and repeat (not necessarily in that order). Here we have the newly released record Far Above the Pines by one man band Dust Sculptures, and while he does follow the structure a bit, there’s something about his sound that feels unique to the genre. Maybe its the weird electronic sections, the heartfelt clean vocals, the emotional punch of the heavier bits,or that melancholic atmosphere that somehow allows just enough light through to make the whole thing feel really uplifting. Whatever it is, this album is unlike anything I’ve heard before.
If you fancy bands like Isis, Deafheaven, Porcupine Tree/Steven Wilson, Skyharbor, Pink Floyd, or *shels I really recommend giving this record a listen even though none of those bands sound remotely like the album in this post. As always, if you like what you hear, be a great human being and toss the artist some spare change and buy a download of the album, and be even more super by sharing the recommendation with friends you think will dig the music. Let me know what you think of Dust Sculptures down in the comments. Enjoy!! Peace Love and Metal!!!
Release Date: April 15th, 2014
Songs: 5 tracks, 29 minutes
Genre: Post metal
Studio Albums: This is their debut EP
Location: Drogheda, Ireland
No, this isn’t an album stream by a cheesy hip hop artist that accidentally snuck into our records, or ridiculously upbeat songs by an obscure indie band whose members wear brightly coloured jeans. The band name might, understandably, lead to such associations. If you press play, you will soon find out that Crib45 is dense, heavy and beautiful post metal. So if you’re into that style, I highly recommend giving this album a listen:
“Mid-summer…when the alchemy of Nature transmutes the sylvan landscape to one vivid and almost homogeneous mass of green; when the senses are well-nigh intoxicated with the surging seas of moist verdure and the subtly indefinable odours of the soil and the vegetation. In such surroundings the mind loses its perspective; time and space become trivial and unreal, and echoes of a forgotten prehistoric past beat insistently upon the enthralled consciousness.”
H. P. Lovecraft, “The Tomb”
Nature is chaotic, random, and imperfect. There is no perfect symmetry, order, nothing follows the rules; each of its parts is unique unto itself. And in this imperfection we can find perfection. Not in the sense of something tangible, but in a more profound sense. If everything we could hear, see, smell, touch were perfect, we might as well just curl up and pass on to whatever lies next; there would be nothing to explore, to contemplate, to surprise us. Yet in imperfection we can explore, contemplate, and be surprised. As we delve into the questions Nature presents to us we tangentially discover things about us and our world on a much deeper level. Something spiritual. And that makes us happy, and what is happiness but taking one step closer to finding perfection in Ourselves?
If there’s one thing Agalloch is synonymous with, it’s nature. Each of their releases has the band exploring haunted, snow-capped forests and reveling in the majesty of vast and intimidating mountain and valley landscapes. If you pop on any Agalloch record, you are going to be transported into a neo-folk cum black metal whirlwind of mysticism, intrigue, and Earthen beauty. For their latest release, The Serpent and the Sphere, we get to listen to the black metal shamans take their well established sound one step further. But, how could they go beyond their already perfect interpretations of Mother Earth in all her natural beauty? Well, by tackling something more astral.
Posted by christophermammal
ESSENTIAL INSTRUCTIONS: Bookmark the Hybrid Circle page on Facebook. This is where you will go on Monday. June 30, to download your full, free copy of the album. Yes, they’re giving it away. Go here:
A Matter Of Faith is nothing short of magnificent. The band calls it post-prog metal, which is another tag to add to your dictionary of genres. What you’ll hear is a stunning blend of prog metal with injections of djent, metalcore and electro-prog rock.
Hybrid Circle formed in Italy in 2010. In 2012 they recorded their debut album, Before History. Last year they released an EP, Science Fiction. The new full-length album has a futuristic theme set to the sound of the metal of the future. Hats off to Antonio Di Campli (vocals), Simone Di Cicco (guitar and backing vocals), Alessandro Mitelli (guitar), Giuseppe Costantino (keyboard and samples), Matteo Mucci (bass) and Vittorio Del Prete (drums).
Damn, I’m playing the album again for about the fourth time. It’s addictive.