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Mammal’s Best of 2015 – Part 4/10


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I’ve loved music since the day I was born. I remember it well. The midwife delivered me just after eight in the morning on February 9, 1950. I thought she had kind eyes. My opinion changed when she snipped my umbilical cord.

My mother combed my fur and said to the midwife, “It’s interesting.” Then she added, “What species is it?”

“We’ll know soon,” the midwife replied. “We’ve sent some of its blood to the entomologists and some of its pollen to the botanists. Meanwhile, train it to climb a trellis and play it something with good riffs.” My mother chose these albums for me and I’ve loved them through all the subsequent decades.

Could that be why there’s cross-genre strain of psychedelia in today’s selections?

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Album Review: Mach Dich Frei by Finsterforst


mach_dich_freiIn my CD collection I have a few CDs where I have no idea when or where I bought them.  They just kinda appeared.  One of those is this double CD called Urwerk by Finsterforst.  It’s nothing outstanding; an ok record.  Still for the life of me, I can’t remember ever buying it.  Anyhoo, I’ve only really listened to it a handful of times and it basically sounds like Moonsorrow plus an accordion player hopped up on a cocktail of cocaine and amphetamines.  Not bad, but a tad repetitive, long-winded, and that overload of accordion can get a bit annoying at times.  I do appreciate the ‘what if Korpiklaani were a black metal band’ thing as an experiment, but… Oh, well.  So, when I saw that we got a promo for the latest record from this anomaly in my CD collection I decided to give it a spin to see if these guys were still berating listeners with post-neo-accordion-black-metal.  To my surprise, what I found is nearly a whole different band who kept their best elements, shook their formula around, and sent their accordion player to rehab.  In short, a band which has really matured a lot since my last experience with them.

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