Today’s the day I knock a bunch of you off your branches. If you haven’t learnt how to fly yet, put padding under your tree before you climb up to your roost.
As I mention non-stop, I love many, many kinds of music. So do a lot of you. I know some of you, though, think country music is to metal as Voldemort is to Harry Potter. To you folks, let me irritate you further by stating that country music has some of the best voices of any genre, and it’s lovely background music after a long, lazy Sunday lunch.
Posted in Best of 2015
Tags: American Graffiti, Ascendia, Billy Currington – Little Bit of Everything, Carving an Icon, Cheating the Polygraph, Damnation Memoriae, Dark Metal, Dislocation, doom death metal, Ecnephias, Emancipation, Gavin Harrison, Gothic Metal, Jazz-Prog Fusion, Mammal's Best of 2015 – Part 5/10, My Silent Wake, Progressive Metal, Progressive Power Metal, Psychedelic groove, Rock Progressivo Italiano, Seldon, Strawberry Girls, The Lion and the Jester, Tutto a Memoria, Viper Solfa
Since I’ve been snarled up in other matters since the end of September I haven’t been posting our monthly digest of Sonic Cathedral reviews. To catch up, today and tomorrow I’ll be posting a two-part digest covering the last three months of this year.
My heartiest thanks go to SC for being patient. The same to you lovely, gentle people who follow Metal State.
If you don’t know it already, SC runs the website and Facebook page for bands with female vocalists. The SC reviews are deep, detailed and knowledgeable. They carry a lot of other great information about the FF scene in metal and rock, too. Go there!
Posted in Album Reviews
Tags: alternative hard rock, alternative symphonic metal, classical, embassy of silence, Gothic Metal, Heavy Metal, Huntress, Melodic Metal, Mercy Isle, prog-related rock/metal, Setanera, Sonic Cathedral’s female-fronted roundup for Q4 2015 – Part 1, Symphonic Metal, Tarja Turunen, Tattermask, The Fall of Eve, UnSeelie
Posted by Reggie
Label: Century Media
Release Date: 2 Jun 15
Length: 51 Minutes
Previous Albums: This is their 14th album. See article for the rest of the albums.
There are very few bands out there that you can say started out one way, evolved into something completely different, and then came back to their roots. At least not the way England’s Paradise Lost has done it. They have come damn near full circle with their latest release, The Plague Within, which we’ll talk more as I build up to it. In the late 90s, they formed Paradise Lost…what is now considered one of the pioneers of gothic metal. Their first four albums, Lost Paradise (1990), Gothic (1991), Shades of God (1992), and Icon (1993), were heavily gothic/doom albums – not the kind of songs you would have heard on the radio…at least not in America. Most of Nick Holmes’ vocals were gritty and growling and the music was dark and brooding. Icon started the slow and eventual evolution that Paradise Lost embodied for nearly two decades. Here is a clip from their debut album, Lost Paradise.
Our buddies at Sonic Cathedral reviewed 11 albums last month. As always, the albums span a range of genres. What they all have in common is that the bands have female vocalists.
Since Sonic Cathedral selects the best of the best for review, the albums on the list for May range from pretty damn good to most excellent. We’ll do our digest of six of the SC reviews today, and the other five tomorrow.
Posted in Album Reviews
Tags: Activist Electrocore, Aeverium, Break Out, Crossover progressive rock, Fright Night, Goth Punk Horror Metal, Gothic Metal, Gothic rock, Life Eternal, Lucid fly, One-Eyed Doll, Sirenia, Sonic Cathedral’s female-fronted roundup for May, Stasis, The Majesty Of Your Becoming, The Seventh Life Path, The Way Of Purity, Witches
As we did last month and as we intend to do every month, we’re very pleased to share some of the information posted during the month by our friends at Sonic Cathedral, the website that specialises in reviews of albums by female-fronted bands. Sonic Cathedral covers a wide range of female-fronted metal and rock.
Once again we’re presenting the album details, an intro from SC, and a link to the full review on SC’s website.
Posted in Exploring New Things
Tags: Cailyn, Cantus Lucidus, Coronatus, Crimson Blue, Eye of Providence, Gothic Art Metal, Gothic Metal, Kalidia, Kliodna, Lies' Device, melodic death metal, Melodic Metal, Neo-Classical Symphonic Progressive Rock, Power Metal, Pythia, Set Me Free, Shadows of a Broken Past, Sonic Cathedral’s female-fronted roundup for February, symphonic heavy metal, Symphony for a Hopeless God, The Agonist, The Angelic Performance, Voyager, Whyzdom
The other Metal State writers let me live here for entertainment. They throw peanuts at me. I am learning to communicate in their language. I can say “want peanut butter” in Human.
Posted by Reggie
Genre: Hard Rock, Stoner, Goth
Length: 46 Minutes
Albums: This is their debut album
Release: April 2014
Label: Sliptrick Records
FFO: Type O Negative, Paradise Lost, The Cult, Sisters of Mercy, Moonspell, and a stoner band of your choice. Read the rest of this entry →
Although I love almost every style of metal, not much core music or industrial metal has made it into my annual hit parades. It has to compete against my usually preferred variations of melodic, progressive, folk, symphonic and atmospheric metal, often built on black, death or doom metal
None the less, when good ‘core or factory music hits my ears, it wins my heart.
If I had to answer those questions, it wouldn’t be beyond the bounds of probability that I was in my office listening to one of these bands. Of course it’s just as probable I was playing “Baldur’s Gate” and reloading because I got killed so often.
The Transatlanic trio of Die So Fluid have released this song on video to promote their forthcoming album, planned for release in the US later this year. Die So Fluid is made up of Grog on vocals and bass, Mr Drew on guitars and Al Fletcher on drums. They operate from cities on two continents, namely, Los Angeles and London.
They’ve been together since 2001 and they’re building up a good, slick discography. If their previous work is an indicator, then the new album will be very easy on the eardrums.
Grog describes their music as “the muscle of metal, the angular cheekbones of post-punk and the bittersweet love of grunge.” To me it all adds up to extremely melodic Gothic-based rock/metal, and a joy to hear.