Mammal’s most recommended new albums: Art rock, post rock & math rock
As I said in the first part of this series, so much great music has been arriving at Metal State this year that it’s impossible to review everything. Yet it would a crime, not merely an omission, if we failed to bring the best of different types of music to your attention. Therefore, here’s another selection of superb bands with new or recent albums that deserve all the attention they can receive.
This episode covers some of the slightly more obscure sub-genres of progressive rock. It’s one of those occasions when I wear my Other Music cap. If you don’t already know, I ostensibly came on board Metal State to review and write about non-metal bands as well as the numerous flavours of metal that tickle my fancy and other parts. We will gloss over the real truth, which is that the Metal State team invited me to join them because I am irresistibly cute and charming, like a favourite garden gnome.
Our collective reasoning is that many metal fans enjoy other kinds of music too. We’re talking about niche music, not the mainstream pap on commercial radio stations. Looking a little more closely at this idea, I’d say progressive rock is no more unlike most kinds of metal than grindcore is unlike symphonic metal.
I’ve included album ratings with my mini-reviews. Remember that 4 out of 5 is “Excellent” and a full 5 is “As Good As It Gets”.
Genre: Post rock
Release date: 4 May 2015
Label: Sargent House
Length: 44 minutes
Location: Belfast, Northern Ireland
Personnel: Rory Friers (guitar), Niall Kennedy (guitar), Jonathan Adger (bass), Chris Wee (drums, percussion)
Previous studio albums: And So I Watch You From Afar (2009), Gangs (2011), All Hail Bright Futures (2013)
This album delivers the best of two prog rock sub-genres, post rock and math rock. I’ve filed it under post rock in my library because the music places more emphasis on smooth melody than the deliberate discordance that characterises a lot of math rock. The band builds atmospheric layers of sound with sensitivity and also some forcefulness. If you know and love Russian Circles, then And So I Watch You From Afar should easily win your favour too.
Mammal’s rating: 4 out of 5
Visit And So I Watch You From Afar on Facebook.
Genre: Math rock
Release date: 14 May 2015
Label: Crapoulet Records
Length: 37 minutes
Location: Toulon, France
Personnel: Clément, Jérémie, Pierre & Vincent
Previous studio albums: This is their debut full-length album
What an excellent debut! Grand Détour construct very clever and musical math rock. The only real “math” in math rock is the unusual time signatures which may include 7/11, 13/17 and other odd beats to the bar. However, these guys from France must have studied chaos theory, which reveals a deep, underlying order beneath seemingly random processes. Their style takes in the common elements of math rock, such as variations in pace, sudden pauses, and contrasting gentle and exuberant passages. Where this band excels is in pulling all the instruments back from their individual meanderings and into a solid, cohesive stream of sound.
Mammal’s rating: 4.2 out of 5
Visit Grand Détour on Facebook.
Genre: Art rock
Release date: 22 June 2015
Label: Hungersleep Records
Length: 58 minutes
Location: Exeter, England
Personnel: Grice (vocals, guitars, tzouras, programming, treatments, tonalities), Al Swainger (bass guitar, double bass, pedals), 05 Ric (drums), Richard Barbieri (keyboards, synthesizers), Hossam Ramzy (triangle, percussion)
Previous studio albums: Propeller (2012)
Pure magic. Utterly enchanting. “Alexandrine” is a definite Mammal album of the year contender. Grice, the composer, singer, musician and driving force behind the band, pours enormous amounts of emotion into his songs, and his vocal style is grippingly pensive and expressive. Art rock is already one of my beloved forms of prog rock because it draws from other types of music I love deeply, especially avant-garde prog and classical. It is also influenced by early psychedelic rock. Grice combines those styles magnificently.
Mammal’s rating: 5 out of 5
Visit Grice on Facebook.
Genre: Post rock
Release date: 27 April 2015
Label: Basick Records
Length: 65 minutes
Location: Berkshire, England
Personnel: Al Heslop, John Hopkin, Jamie Postones
Previous studio albums: This is their debut album
The long title of this album suggests serenity, and that’s what it brings me. It’s the smoothest, most relaxing post rock I’ve heard in quite some time. Mellow is a good word for it. The individual virtuosity of the three band members is highly evident, and so too is the seamless interplay among the instruments. Heights is a fine name for the band. Their music floats me above the mundane daily business of life and lets me glide through the galaxies. Want to chill out? Play this album.
Mammal’s rating: 4 out of 5
Visit Heights on Facebook.
Posted on July 20, 2015, in Album Reviews and tagged Alexandrine, And So I Watch You From Afar, Art rock, Grand Détour, Grice, Heights, Heirs, Mammal’s most recommended new albums, math rock, Phantasia on the High Processions, Post Rock, Tripalium. Bookmark the permalink. 1 Comment.